Knowledge from https://www.britishBritish ceramicsbiennial.com/news/award-2021-announcment/?utm_source=rss&utm_medium=rss&utm_campaign=award-2021-announcment
Ten ceramic artists comprise been chosen to rep glossy work for the British British ceramics Biennial’s (BCB) AWARD, the leading platform for contemporary ceramic art put together in the UK. They are Alison Cooke, Christie Brown, Cleo Mussi, Connor Coulston, Helen Beard, Ho Lai, Jin Eui Kim, Mawuena Kattah, Stephen Dixon and Tamsin van Essen.
The glossy work will differ from an installation made the converse of clay taken from below the North Sea to existence dimension mosaic figures made out of ancient pottery and can rep the level of hobby of the BCB pageant in Stoke-on-Trent this September, when one of many artists shall be awarded a £5,000 prize for excellence, innovation and inventive ambition.
AWARD provides a snapshot and occasion of up to date converse in ceramic art. This year’s shortlist, chosen from over 160 entries, aspects about a of the UK’s most innovative contemporary ceramic artists and shows a differ of approaches – from vessels to mosaics, sculpture to installation art. By exploring geopolitical, environmental and social political issues in their work the artists are the converse of British ceramics to originate sense of our altering world.
The judging panel modified into chaired by Alun Graves, Senior Curator in the Sculpture, Metalwork, British ceramics and Glass Department at the V&A, who comments:
‘AWARD has established its explain as the premier exhibition of up to date ceramic art in the UK. A platform for ground-breaking and modern put together, it provides an replacement for artists to work with ambition, developing their work in glossy, engrossing and difficult methods. In these unheard of times, the necessity to comprise interplay and focus on by the intensely bodily subject topic of clay has by no system been stronger. The shortlist for AWARD 2021 shows the dynamism of up to date British ceramics, embracing artists of the highest world standing moreover others who comprise more currently broken by onto the scene.’
Alison Cooke works with clay dug from interventions equivalent to mining, engineering or scientific analysis, which she fires at grievous temperatures. For AWARD she’s going to rep an installation product of clay taken from below the North Sea following her collaboration with scientific analysis group Europe’s Lost Frontiers. This scientific analysis group comprise mapped this submerged Doggerland and given her fragments of sediment core.
Christie Brown’s figurative put together is instructed by an hobby in our relationship with objects and the importance and relevance of museum collections and weak artefacts to contemporary art. For AWARD she’s going to stumble on the connection between existence drawings and 3D British ceramics, developing a tableau of clay figures against a frieze backdrop of existence drawing.
Cleo Mussi creates mosaics the converse of ceramic tableware from the closing 200 years of British ceramic industry. She proposes a series of existence-dimension 2D figures to rep a timeline exploring the interplay of human existence with the pure world. This work will stumble on how the British landscape has modified and generous with circulation of of us, be it on narrative of Brexit, covid, properly being, economics or local weather trade.
Impressed by kitsch charity shop and museum adorns, Connor Coulston explores socio-political issues equivalent to depression, masculinity, equality and loneliness in his sculptural work, the converse of humour as one plan of enticing his viewers with these darker disorders. His work for BCB AWARD involves a Christmas angel ornament belonging to his nan reimagined as a unhappy single mother of 4.
Helen Beard is a of us watcher who makes converse of illustration in her work and clay as her canvas. Her glossy body of labor created for AWARD will stumble on her document the arena we live in now by a composition of hand-constructed porcelain and wheel-thrown pots.
Ho Lai explores the contemporary nature of British ceramics in her work, experimenting with the materials and processes fascinated by its introduction. Her AWARD proposal, Fluxing Red, is sequence of 50 red-stained bone china wall objects shooting the draw give an explanation for of Hong Kong. It’s a response to the executive’s resolution to permit British Nationwide In a international nation passport holders from Hong Kong to develop into British residents and the ensuing identification crisis felt by many contemporary migrants.
In his put together, Jin Eui Kim explores how the perception of 3D ceramic kinds might per chance maybe moreover be manipulated by the utility of utterly different arrangements of tones on their surfaces. For AWARD, he’ll converse pc technology to craft glossy, technically generous ceramic instruments that can allow him to stumble on a differ of up to date methods and usual approaches to rep tone in sizable-scale ceramic kinds.
Mawuena Kattah brings of us and pattern together in advanced, racy immersive installations of ceramic vessels, friezes and table products and companies. Her proposal for AWARD, The Meal, is a ceramic table setting for eight of us inspired by her normal trips to Brixton market to blueprint end the meals and African materials that encourage her work. She has labored with chef and author Zoe Adjonyoh to rep a bespoke menu for The Meal.
In his put together Stephen Dixon makes converse of British ceramics to check contemporary narratives. His proposed work, Ship of Desires and Nightmares, shall be a 4m silhouette of an overloaded and ragged Mediterranean refugee ship made out of more than one hand-constructed and tin-glazed ceramic objects suspended with a scaffolding structure. The work is intended to specialise in the ongoing tragedy of migration and further set up British ceramics as a medium for social commentary and public commemoration.
Tamsin van Essen’s work is primarily theory driven, exploring notions of beauty and impermanence by inspecting scientific, scientific and social ancient issues. Following a fresh residency in India, her AWARD proposal will stumble on her developing a series of abstracted Ayurvedic surgical instruments the converse of porcelain and stunning red earthenware, the ensuing ambiguous, eroded kinds exploring notions of characteristic and worth.
AWARD is the headline exhibition in the British British ceramics Biennial, an world contemporary British ceramics pageant that takes explain in Stoke-on-Trent, the home of British British ceramics. The pageant returns for its seventh edition from 11 September to 17 October 2021. The beefy BCB pageant programme shall be introduced in unhurried spring.
BCB AWARD 2021 judging panel:
Alun Graves – Senior Curator British ceramics and Glass V&A (Chair)
Clare Twomey – artist, researcher and author
Vicky Lindo and William Brookes – AWARD 2019 winners
Barney Hare Duke – Usual Inventive Director, British British ceramics Biennial
Deirdre Figueiredo – Director, Craftspace
Anjani Khanna – artist and co-founding curator of the Indian British ceramics Triennale
Skinder Hundal – Director of Arts, British Council